# | Track | Duration | |
---|---|---|---|
1. | A-1: Rei I | 3:00 | |
2. | A-2: Background Music | 1:57 | |
3. | A-3: NERV | 1:59 | |
4. | A-3 | 1:58 | |
5. | A-3 | 1:57 | |
6. | A-4: Borderline Case | 2:21 | |
7. | A-4: Do You Love Me? | 2:21 | |
8. | A-5 (advancement of the Human Instrumentality Project) | 2:16 | |
9. | A-6: I. Shinji | 2:02 | |
10. | A-7: Angel Attack II | 2:00 | |
11. | A-7 | 2:00 | |
12. | A-7 | 2:00 | |
13. | A-7 | 0:47 | |
14. | A-8 (Angel's arrival - quiet and eerie) | 3:29 | |
15. | A-9: Angel Attack III | 2:26 | |
16. | A-9 | 2:24 | |
17. | A-10: Mother Is The First Other | 2:26 | |
18. | A-10: Splitting Of The Breast | 2:16 | |
19. | A-11: Depression | 2:36 | |
20. | A-11 | 1:23 | |
21. | A-12: Introjection | 2:27 | |
22. | A-13: Separation Anxiety | 2:28 | |
23. | A-13 | 2:28 | |
24. | B-1: Hedgehog's Dilemma | 2:48 | |
25. | B-2: In The Depths Of Human Hearts | 2:24 | |
26. | B-3: Background Music III | 2:34 | |
27. | B-4: Fly Me To The Moon | 2:59 | |
28. | B-4: Those Women Longed For The Touch Of Others' Lips, And Thus Invited Their Kisses | 2:21 | |
29. | B-4 | 1:23 | |
30. | B-4 | 1:11 | |
31. | B-4 | 1:12 | |
32. | B-4: The Sorrow Of Losing The Object Of One's Dependence | 1:34 | |
33. | B-4: The Sorrow Of Losing The Object Of One's Dependence | 1:31 | |
70:58 |
# | Track | Duration | |
---|---|---|---|
1. | B-5 (requiem, sorrow (the soft sound of bells?)) | 3:08 | |
2. | B-6 (anxiety) | 1:57 | |
3. | B-7: When I Find Peace Of Mind | 3:35 | |
4. | B-8 (determination and anger) | 2:33 | |
5. | B-9: Infantile Dependence, Adult Dependency | 3:02 | |
6. | B-9 | 3:02 | |
7. | B-10 (menace and surprise) | 2:13 | |
8. | B-10 | 2:13 | |
9. | B-12: Both Of You, Dance Like You Want To Win | 1:52 | |
10. | B-13 (oppression and impatience (serious - done over)) | 1:42 | |
11. | B-14: The Day Tokyo-3 Stood Still | 1:42 | |
12. | B-15 (liberation, catalysis) | 2:16 | |
13. | B-16: Misato | 1:34 | |
14. | B-16 | 1:33 | |
15. | B-17: Asuka Strikes! | 2:23 | |
16. | B-17 | 2:23 | |
17. | B-18 (feeling at peace; hope) | 2:12 | |
18. | B-18 | 2:12 | |
19. | B-18 | 2:25 | |
20. | B-18 | 2:26 | |
21. | B-19 (friendship) | 1:34 | |
22. | B-20: Rei II | 2:57 | |
23. | C-1 (pleasant morning) | 2:47 | |
24. | C-1 | 2:47 | |
25. | C-2: Barefoot In The Park | 2:37 | |
26. | C-3 (relaxed and heartwarming day) | 2:15 | |
27. | C-4: Waking Up In The Morning | 1:31 | |
28. | C-5: Ritsuko | 3:04 | |
29. | C-6: A Crystalline Night Sky | 2:22 | |
30. | C-7: Tokyo-3 | 2:25 | |
31. | D-1 (violent situations with guns) | 0:30 | |
32. | D-2 (shock (serious)) | 0:24 | |
33. | D-3: Gentle Substitute | 0:26 | |
34. | D-4 (everyday scenes and diversions) | 0:25 | |
35. | D-5 (comical scenes and diversions) | 0:22 | |
36. | D-6 (peaceful) | 0:28 | |
37. | D-7 (beautiful) | 0:41 | |
38. | D-8 (romance) | 0:34 | |
39. | D-8 | 0:27 | |
40. | D-9 (plaintive) | 0:38 | |
41. | D-10 (hastiness) | 0:46 | |
42. | D-11 (fear / panic) | 0:33 | |
76:55 |
# | Track | Duration | |
---|---|---|---|
1. | E-1: Decisive Battle | 2:25 | |
2. | E-1: Spending Time In Preparation | 2:24 | |
3. | E-2 (suspense - light) | 1:55 | |
4. | E-2 | 1:14 | |
5. | E-3: EVA-01 | 2:49 | |
6. | E-4: EVA-02 | 2:00 | |
7. | E-5: EVA-00 | 1:51 | |
8. | E-5 | 1:50 | |
9. | E-5: The Beast | 1:40 | |
10. | E-5: Harbinger Of Tragedy | 1:40 | |
11. | E-6: Angel Attack | 2:32 | |
12. | E-7: Marking Time, Waiting For Death | 2:44 | |
13. | E-8: Pleasure Principle | 3:50 | |
14. | E-9: A Step Forward Into Terror | 1:55 | |
15. | E-9 | 1:39 | |
16. | E-9 | 1:38 | |
17. | E-10 (no menu listing) | 2:35 | |
18. | E-10 | 2:35 | |
19. | E-11 (no menu listing) | 1:56 | |
20. | F-0 | 0:09 | |
21. | F-0 | 0:09 | |
22. | F-0 | 0:07 | |
23. | F-1 | 0:09 | |
24. | F-1 | 0:09 | |
25. | F-1 | 0:08 | |
26. | F-2: Preview Of Next Time | 0:33 | |
27. | F-2: Preview Of Next Time | 0:33 | |
28. | F-4 (no menu listing) | 0:07 | |
29. | Title, Spoken Lines, A Type | 0:32 | |
30. | Title, Spoken Lines, B Type | 0:19 | |
31. | A-13A Type | 2:09 | |
32. | A-13B Type: Crime Of Innocence | 2:28 | |
33. | A-13C Type: Hostility Restrained | 1:39 | |
34. | A-13D Type | 1:25 | |
35. | A-13E Type | 1:33 | |
36. | A-14: Rei III | 3:44 | |
37. | A-14 | 2:45 | |
38. | A-15: She Said, "Don't Make Others Suffer For Your Personal Hatred." | 1:56 | |
39. | A-15 | 1:56 | |
40. | A-15 | 1:54 | |
41. | A-15 | 2:00 | |
42. | A-15 | 2:00 | |
43. | A-15 | 1:58 | |
44. | A-16 (Theme of NERV - Macaroni Western style) | 1:35 | |
45. | A-16 | 1:33 | |
46. | A-16: Background Music II | 1:33 | |
76:15 |
# | Track | Duration | |
---|---|---|---|
1. | B-21: A Moment When Tension Breaks | 4:12 | |
2. | B-21 | 4:12 | |
3. | B-21 | 4:12 | |
4. | B-21 | 3:55 | |
5. | B-21 | 3:55 | |
6. | B-21 | 3:52 | |
7. | B-22A Type: Fly Me To The Moon | 2:21 | |
8. | B-22B Type | 2:36 | |
9. | B-22C Type | 2:19 | |
10. | C-55A Type | 1:50 | |
11. | C-55B Type | 1:57 | |
12. | C-55C Type | 2:07 | |
13. | C-55D Type: Three Of Me, One Of Someone Else | 2:21 | |
14. | C-55E Type | 2:13 | |
15. | C-55F Type | 1:47 | |
16. | E-12 (battle - light "pinch") | 2:21 | |
17. | E-12 | 2:19 | |
18. | E-13: Thanatos | 3:31 | |
19. | E-13 | 3:28 | |
20. | E-14 (battle - pleasing tempo) | 2:32 | |
21. | E-14 | 2:31 | |
22. | E-15: Magmadiver | 2:25 | |
23. | E-15 | 2:10 | |
24. | E-15 | 1:00 | |
25. | E-15 | 0:58 | |
26. | E-16: The Beast II | 2:20 | |
27. | E-16 | 2:19 | |
28. | E-16: Normal Blood | 1:58 | |
29. | E-16 | 1:55 | |
75:36 |
# | Track | Duration | |
---|---|---|---|
1. | F-3 Take 1 (cello solo melody) | 1:32 | |
2. | F-3 Take | 2: C | |
3. | OP-1: Cruel Angel's Thesis | 2:31 | |
4. | OP-1 | 2:17 | |
5. | OP-1: The Heady Feelings Of Freedom | 1:50 | |
6. | OP-2A Type | 1:21 | |
7. | OP-2B Type | 1:48 | |
8. | OP-2C Type | 1:57 | |
9. | OP-2D Type: Good, Or Don't Be | 1:23 | |
10. | ED-1A Type: Fly Me To The Moon | 1:49 | |
11. | ED-1B Type: Fly Me To The Moon | 1:56 | |
12. | A-4: It's Fragile, The Ego Border | 2:11 | |
13. | A-4: Anxiety-Ridden Honeymoon | 1:38 | |
14. | A-4 | 1:21 | |
15. | A-4 | 1:26 | |
16. | A-4 | 1:27 | |
17. | A-4 | 1:27 | |
18. | A-4: Reliance Leads To Falsehood | 1:48 | |
19. | A-4 | 2:09 | |
20. | A-4 | 1:17 | |
21. | A-4 | 1:22 | |
22. | A-4: A Hole In The Dream | 1:27 | |
23. | E-13 (battle - pessimistic and tragic feeling) | 2:06 | |
24. | E-13 | 2:05 | |
25. | E-13 | 2:05 | |
26. | E-13: Toward Oneself, Tears | 2:07 | |
27. | E-13 | 2:07 | |
28. | E-13: Vicarious Invasion | 3:29 | |
29. | M-2 (piano music 2 (light etude)) | 3:03 | |
30. | M-3: The Flow Of Emptiness | 6:17 | |
31. | M-3 Suite | 0:51 | |
32. | M-4: Escape To The Beginning | 4:58 | |
33. | M-4: From Emergency Refuge Into Regression | 4:15 | |
34. | M-5 (tragic choral music - religious) | 3:45 | |
75:04 |
# | Track | Duration | |
---|---|---|---|
1. | M-6 | 2:53 | |
2. | M-6 | 2:52 | |
3. | M-6 | 2:53 | |
4. | M-6 | 2:20 | |
5. | M-6 | 2:19 | |
6. | M-6 | 2:18 | |
7. | M-6: Outside Interference | 2:19 | |
8. | M-6: Midsummer's End | 2:21 | |
9. | M-7B: From Falsehood, Rebirth | 2:28 | |
10. | M-7B (The revival of EVA 02 (heavy strings and percussion)) | 2:28 | |
11. | M-7B: From Falsehood, Rebirth | 2:28 | |
12. | M-8 (tragic battle - Asuka's death - religious) | 2:26 | |
13. | M-8 | 2:26 | |
14. | M-9 (liberation of souls - begins with peaceful strings, intensifies) | 6:48 | |
15. | M-9: The Enlargement Of Obstruction | 6:52 | |
16. | M-10: Komm Suesser Tod | 7:55 | |
17. | M-10: Komm, Suesser Tod | 7:45 | |
18. | M-11: Everything You've Ever Dreamed | 6:40 | |
68:31 |
# | Track | Duration | |
---|---|---|---|
1. | Cello Tuning (cello - fourth chord - tuning chord) | 0:26 | |
2. | Suiten fuer Violoncello Solo Nr. 1 G-Dur, BWV. 1007 1. Vorspier | 0:43 | |
3. | Dvorak | 0:33 | |
4. | Violin Tuning (violin - second chord - tuning chord) | 0:23 | |
5. | Partita III fuer Violino Solo E-dur, BWV. 1006 3. Gavotte in Rondo | 0:22 | |
6. | Viola Tuning (viola - third chord - tuning chord) | 1:10 | |
7. | Tuning, To Incompletion (Tuning Atmosphere) | 0:18 | |
8. | Kanon D-dur (Strings Orchestra) | 5:08 | |
9. | Kanon D-Dur | 5:07 | |
10. | Kanon D-dur | 5:01 | |
11. | Kanon D-dur | 5:01 | |
12. | II Air (Orchestral Suite No. 3 in D Major, BWV. 1068) | 3:57 | |
13. | II Air (Orchestral Suite No. 3 in D Major, BWV. 1068) | 3:23 | |
14. | Jesus Bleibet Meine Freude (Herz und Mund und Tat und Leben BWV. 147) | 3:10 | |
15. | Jesus Bleibet Meine Freude (Herz und Mund und Tat und Leben BWV. 147) | 3:47 | |
16. | M-10: Komm, Suesser Tod | 7:05 | |
17. | M-10 (no intro, B type) | 7:04 | |
18. | M-13 Take 1 (A-4, Borderline Case, heavy version) | 6:16 | |
19. | M-13 Take 2 | 6:16 | |
20. | M-14 (dignified battle music) | 2:16 | |
21. | M-14: Later Half | 0:36 | |
22. | M-15 (theme of love (piano, female chorus)) | 4:08 | |
23. | Thanatos: If I Can't Be Yours | 4:08 | |
76:18 |